The McCoys and the Weavers are two feuding hillbilly clans. Elmer Fudd, Peacemaker, attempts to end the fighting; but violence and zaniness win out.

Julie and Gregg are about to become parents again, but they feel conflicted since their first child was kidnapped and never seen again. But the couple soon faces an even bigger shock. Julie's new bad-boy (really bad-boy) student may actually be her long-lost son! Based on Claire R. Jacobs's book

Natalie and Joshua appear to be the picture-perfect couple, but looks can be deceiving. When Natalie discovers her husband has led a secret life, she is forced to deal with losing everything she loves. Newly divorced and soured on relationships, Natalie is picking up the pieces of her shattered world. In the process of healing, she meets a new man who challenges the boundaries of her trust and her ability to fall in love again.

A queer couple retreats to an empty family house, where their relationship faces supernatural forces and reality begins to blur. As isolation deepens, they confront their deepest fears and transformations.

“Twice A Man is a fragmented re-imagining of the Greek myth of Hippolytus, who was killed after rejecting the advances of his stepmother. Markopoulos’ vision transposes the legend to 1960s New York and has its main character abandon his mother for an elder man. Employing sensuous use of colour, the film radicalised narrative construction with its mosaic of ‘thought images’ that shift tenses and compress time. One of the touchstones of independent filmmaking, Twice A Man was made in the same remarkable milieu as Scorpio Rising and Flaming Creatures by a filmmaker named ‘the American avant-garde cinema’s supreme erotic poet’ by its key critic P. Adams Sitney.” —Mark Webber 　　Based on the story of Hippolytus. Featuring Paul Kilb, Olympia Dukakis, Albert Torgesen. Music: Excerpt from Manfred Symphony by Pyotr Tchaikovsky op. 58. Filmed in New York City, Staten Island, Long Island and Bear Mountain Park.

“Twice A Man is a fragmented re-imagining of the Greek myth of Hippolytus, who was killed after rejecting the advances of his stepmother. Markopoulos’ vision transposes the legend to 1960s New York and has its main character abandon his mother for an elder man. Employing sensuous use of colour, the film radicalised narrative construction with its mosaic of ‘thought images’ that shift tenses and compress time. One of the touchstones of independent filmmaking, Twice A Man was made in the same remarkable milieu as Scorpio Rising and Flaming Creatures by a filmmaker named ‘the American avant-garde cinema’s supreme erotic poet’ by its key critic P. Adams Sitney.” —Mark Webber 　　Based on the story of Hippolytus. Featuring Paul Kilb, Olympia Dukakis, Albert Torgesen. Music: Excerpt from Manfred Symphony by Pyotr Tchaikovsky op. 58. Filmed in New York City, Staten Island, Long Island and Bear Mountain Park.

A famous country singer set to marry a glamorous Hollywood actress returns to his small town roots. When he crosses paths with his childhood sweetheart and finally feels inspired to write songs again he reevaluates his life, his values and his opinion of true love. As his wedding day approaches, he must decide if he has chosen the right woman to be his wife.

When Santa Claus loses his magical powers and becomes stranded in their barn, two children from a small farming community help him save Christmas before it's too late.

When Sarah Kress learns her family’s vineyard is up for sale, she leaves her busy urban life and visits her hometown to help with the sale and have her last harvest. With the help of handsome neighbor Gabe, huge challenge becomes fun as she and Gabe fall in love. But when the job is done, Sarah must decide whether to return to her fast-paced life or follow her heart.

Prematurely deceased people are given the opportunity to correct something that went wrong in their lives and thus change them for the better.